samueljernigan
'a drop in a sea of drips', 2019
a dance of material, form, and metaphor that developed from an interest in exploring idealized fantasies around notions of significance and frivolity, artificial and real. it explores the porosity and malleability of narratives as recorded in plastic and rigid materials; making mortal the weight of sentiment and history as bodily felt through visual encounter.
ceramic, unfired clay, concrete, steel, paint, polyurethane, plaster, tape, mesh, wire, car tires, epoxy, ink, prefab objects
cast of characters
essence of a real void in line and space, 2016
ceramic, apoxy sculpt, paint, ink
big a little a, 2018
unfired clay, mdf, aluminum step ladder
marked by osmosis & projection, 2019
unfired clay, sawhorse, wood, drywall mesh, steel, mdf, paint, oxidizer
kouros of conflated image, 2019
plaster, rebar, car tire, concrete, polyurethane foam, cardboard, wire, drywall mesh, shop rags, cable, bolts, push broom
bloom and decay of the flower of fanatic chase, 2019
unfired clay, rebar, car tire, concrete, polyurethane foam, drywall mesh, styrofoam, cable, bolts
essence of a boundary walker in grounded capture, 2019
unfired clay, paint, oxidizer
fanatic persistence of classical aspiration in 6 min 53 seconds, 2018
unfired clay
trunk of brute sensibilities, 2019
unfired clay, wood, paint
sun dried naturalism, 2016
ceramic, unfired clay
sundial of loonacy, 2019
ceramic, architectural integration